CCD CAMERA SHUTTER - CCD CAMERA


Ccd camera shutter - Real digital life pc web camera - Nikon d60 camera deals



Ccd Camera Shutter





ccd camera shutter






    camera shutter
  • In photography, a shutter is a device that allows light to pass for a determined period of time, for the purpose of exposing photographic film or a light-sensitive electronic sensor to light to capture a permanent image of a scene.





    ccd
  • Confraternity of Christian Doctrine

  • A .ccd (CloneCD Control File) file is a text descriptor used by CloneCD to mark the properties of a CD/DVD disk image. These file need to be combined with an image file (usually with .img extension) to be burned. It may also come with a subchannel file (usually .sub).

  • stands for charged coupled device. This is a solid-state semiconductor element which uses hundreds of thousands of tiny pixel elements to accept light and translate that information into a vivid, visible picture image. A CCD is one type of camera image sensor.

  • Charge-coupled device, a high-speed semiconductor used chiefly in image detection

  • (CCDS) A coding sequence in the Consensus Coding Sequence Set is consistently annotated between Ensembl, Vega, UCSC and NCBI. The long term goal is to support convergence towards a standard set of gene annotations on the human genome.











ccd camera shutter - Fujifilm FinePix




Fujifilm FinePix S3200 14 MP Digital Camera with Fujinon 24x Super Wide Angle Optical Zoom Lens and 3-Inch LCD


Fujifilm FinePix S3200 14 MP Digital Camera with Fujinon 24x Super Wide Angle Optical Zoom Lens and 3-Inch LCD



The Finepix S3200 camera boasts a high resolution 14 megapixel CCD, a bright 3.0" LCD screen (460K dot resolution) plus viewfinder, and award winning Fujinon optics equipped with a 24X Optical Zoom.The Finepix S3200 is also intuitive and easy to operate, and packed full of useful features and technologies. With its mega 24mm wide-angle to 576mm telephoto lens, the S3200 can capture a wide variety of shots. The S3200 also features a mechanically stabilized 14 megapixel CCD sensor and high ISO sensitivity settings which combine to offer Fujifilm’s Dual Image Stabilization technology.This combination reduces the blurring effects in many shooting conditions. Also Panorama mode, HD movie, Face Detection, and Easy Web Uploader combine with a host of other features to make the Finepix S3200 a feature-packed and versatile shooter for virtually any photographer.










75% (18)





MOVIECAM SL Mk2




MOVIECAM SL Mk2





Weight: 7.8lbs (3.5kg) without magazine
Movement: Compensating link movement with dual registration pins and dual pull down claws, 3 Perforation updated drive system with capability to change to 4 Perforation, interchangeable aperture plates, pitch adjustment
Speed: 12-40 fps, crystal accurate to 0.001 frame/s
Aperture size: full range
Aperture plate: removable
Motor: DC with quartz crystal control
Operating noise level: about 25 dBA
Indicators: speed, run, counter (ft or m), shutter angle, time code (user bit and sensitivity level), voltage, incorrect movement, asynchronous speed, low battery, film end, heater, film jam, loose magazine
Lens mount: ARRI PL (Super 35 compatible)
Shutter: electronic reflex mirror, can adjusted between 45° and 180° while in standby, calibrated with stops at 45°, 90°, 120°, 144°, 172°, 180°
Viewfinder: 6.1x magnification, new advanced viewfinder block with short eyepiece, viewfinder is rotatable 360° while maintaining an erect image, also accepts Compact viewfinders
Video assist: Flicker-reduced color CCD camera; on-board 1 monitor available
Ground glass: interchangeable
Magazines: 400' (120m) displacement style, built-in heaters and torque motors; electronic footage counters, 400' (120m) lightweight Steadicam magazines with vertical displacement, also accepts Compact 400' (120m) and 1000' (300m) magazines by using a magazine adapter
Magazine loading: active displacement magazines, takes up emulsion in (9P design)
Film cores: standard cores
Batteries: 24V











New camera




New camera





Eindelijk een nieuw fototoestel aangeschaft, ik kijk al uit naar de foto's die ik hiermee kan maken.

Full Specifications: Sony Cyber-shot DSC-R1 Digital Camera
Lens and Image Quality Megapixels10.3 Megapixels
Optical Zoom5 X
Digital Zoom 2 X
Image SensorCMOS
Max Aperturef/2.8
Min Aperturef/4.8
Max Focal Length71.5 mm
Min Focal Length14.3 mm
Maximum Shutter Speed1/2000 sec
Minimum Shutter Speed30 sec
Image FormatJPEG, RAW
Focus ModesAutomatic, Manual
Exposure SettingsProgram, Bulb, Automatic, Manual, Aperture-priority, Shutter-priority
ISO Equivalencies400, 200, 160, auto, 1600, 3200
Metering CharacteristicsMulti-segment, Center-weighted, Spot
Macro Focusing Range35 cm
Minimum Focusing Range19.7 in
CCD Size14.4 x 21.5mm

Features LCD Screen Size2 in
Self TimerYes
Self Timer Delay10 sec
White BalanceCustom, Automatic, Presets

Memory Recording MethodCompactFlash, Memory Stick, Memory Stick PRO, Microdrive

Connectors Connectors1 x USB

Miscellaneous Included SoftwareDrivers & Utilities, Sony Picture Package, Sony Image Converter, PIXELA Image Mixer
Product LineCyber-shot
Camera TypeDigital camera - prosumer

General Product Info Also known as, Sony Cyber-shot, Sony DSC-R1, Sony Cyber-shot DSC-R1
Manufacturer Part No.DSCR1
UPC027242679627
Company InfoSony









ccd camera shutter







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COMPACT CAMERA RATINGS : CAMERA RATINGS


Compact camera ratings : Tough waterproof camera.



Compact Camera Ratings





compact camera ratings






    compact camera
  • A point-and-shoot camera, also called a compact camera, is a still camera designed primarily for simple operation . Most use focus free lenses or autofocus for focusing, automatic systems for setting the exposure options, and have flash units built in.

  • The general term for small, light cameras designed for convenience. While they do not offer interchangeable lenses, they are perfectly usable for snapshots, and some do employ high-performance optics. Ideal for travel or “visual notebook” applications.

  • Commonly refers to a point-and-shoot camera.





    ratings
  • (rating) standing or position on a scale

  • (rating) military rank: rank in a military organization

  • (rating) evaluation: an appraisal of the value of something; "he set a high valuation on friendship"

  • An angry reprimand











TV Shows We Used To Watch - 1963-66 Ready Steady Go!




TV Shows We Used To Watch - 1963-66 Ready Steady Go!





Ready Steady Go! or simply RSG! was one of the UK's first rock/pop music TV programmes. It was conceived by Elkan Allan, head of Rediffusion TV.

Allan was assisted by record producer/talent manager Vicki Wickham, who became the producer. It was broadcast from August 1963 until December 1966. It was produced by Associated-Rediffusion the weekday ITV contractor for London, called Rediffusion-London post 1964. The live show was eventually networked nationally.

The show gained its highest ratings on March 20, 1964 when it featured the Beatles being interviewed and performed their songs "It Won't Be Long", "You Can't Do That" and "Can't Buy Me Love" - the last of which was a hit at the time.

Its last episode was transmitted on December 23, 1966.

The show went out early on Friday evenings with the line "The weekend starts here!", and was introduced by The Surfaris "Wipe Out" - later replaced by Manfred Mann's "5-4-3-2-1" (later replaced by Manfred Mann's "Hubble Bubble, Toil and Trouble").

It was more youth oriented and informal than its BBC rival (from 1964), Top of the Pops. Owing to the scheduling of local news in parts of the UK, several ITV regions joined the show part-way through.

Initially, RSG! artists mimed to records but by late 1964 some performed live and the show switched to all-live performances in April 1965.

It was noted for allowing artists to perform the full version of their songs rather than the short versions demanded by other shows.

Despite its popularity in Britain, the program was never broadcast in the United States.

The show was recorded at small studios in Rediffusion's headquarters in Kingsway, London. Although the company had bigger facilities at Wembley it was easier to attract stars to central London.

As the studios were compact it was not possible to hide cameras. The ever-present cameras, which were very large with rotating lens turrets rather than zooms, were sometimes incorporated into the action, notably in a Manfred Mann performance of the song Machines which ended with Paul Jones singing crouched on the floor surrounded by menacing cameras.

In 1966, the time that the 'beat boom' was fading, the show was cancelled. Its disappearance at the height of its popularity enhanced its status. Many years later the British musician Dave Clark bought the rights to the surviving recordings of the show.

Compilations aired on the United Kingdom's Channel 4 in the 1980s and VHS videos were issued. In 1989 the show was seen for the first time in the United States, on Disney Channel. During that time, Disney was a pay channel, that aired programming aimed at adults at night. Despite rumours and promises, nothing has ever been officially released on DVD.

The most famous presenters were Keith Fordyce and Cathy McGowan, though early shows were introduced by Dusty Springfield. The show was occasionally presented by David Gell and Michael Aldred.

McGowan joined after answering an advert for "a typical teenager" as advisor. She found herself presenting the show, and in fact her status as a fan was evident in her style; stumbling over lines, losing her cool and apparent inexperience made her more popular and by the end she was presenting alone.

She also joined in various fun and games including miming with The Rolling Stones to other peoples records, notably "I Got You Babe".

It featured most successful artists of the era, among them The Beatles, The Hollies, The Zombies, Dusty Springfield, The Supremes, The Walker Brothers, The Kinks, Gerry & the Pacemakers, The Fourmost, The Rolling Stones, Donovan (discovered by RSG!), The Fortunes, Helen Shapiro, P.J. Proby, Otis Redding, Freddie and the Dreamers, The Dave Clark Five, Bobby Vee, The Animals, Cilla Black, The Searchers, The Who, Georgie Fame and the Blue Flames, Billy Fury, Lulu, Marvin Gaye, Gene Pitney, The Beach Boys, Sandie Shaw, Burt Bacharach, Jerry Lee Lewis, Kenny Lynch, Small Faces, Them and The Four Pennies. It was said that Cliff Richard never appeared on the programme because he was considered too popular and would unwittingly incite too great a reaction from the audience.

During one of the Beatles' appearances, Paul McCartney judged a contest between four teenage girls miming to Brenda Lee's "Let's Jump the Broomstick" (the group had opened for Lee before becoming famous), choosing 13-year-old Melanie Coe as the winner. Three years later, after Coe's disappearance made the front page of the Daily Mirror, McCartney would immortalize her in song, using the article as the basis for "She's Leaving Home".

Jimi Hendrix made first TV appearance in England on RSG! with "Hey Joe". After this appearance his club tour sold out and he was quickly added to a nationwide tour headlined by the Walker Brothers.

Dusty Springfield devised and introduced the RSG Motown Special in April 1965, featuring the Su











Sigma 30mm EX DC f/1.4 HSM




Sigma 30mm EX DC f/1.4 HSM





Amazing walkaround prime for your croppsed sensor camera! 30mm x 1.6 = approximately 50mm which is the focal length film shooters have been using for decades! I attained this lens originally with the intention of buying a low light prime that I could capture a scene with aswell as capture an isolated subject. Handling both the Canon 50mm 1.4 and this lens, I can easily say for this purpose (walkaround prime) the Sigma wins hands down when both are compared on a 1.6x camera. The thing I like most about this lens is how light and compact it is and most of all... performance wide open at 1.4! Brilliant!

Lens Photo Examples
- Will update soon...

Personal Ratings

Bokeh: f/1.4, enough said?!

Sharpness f1.4-f11 = 4/5
Sharper than the Canon 50 1.4 at f/1.4-2!!

MFT Contrast/Colours = 4/5
Good colour rendition and contrast.

AF Performance = 4.5/5
Great accuracy and speed!

Handholdability = 5/5
VERY small and compact! You can take this with you anywhere!

Build Quality = 4/5
Construction is good, decent for the price you pay. Above the build quality of Canon EF-S. Equivalent to midrange non L series EF lenses.
(ratings relative to prime/zoom)

*Take a look at my Lens Pr0n album for more reviews on lenses!
*I will be continuously updating these reviews as I get more examples









compact camera ratings







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CONSUMER 3D CAMERA - 3D CAMERA


Consumer 3d camera - Fujifilm z35 purple digital camera - Ir led dome camera.



Consumer 3d Camera





consumer 3d camera






    3d camera
  • Range imaging is the name for a collection of techniques which are used to produce a 2D image showing the distance to points in a scene from a specific point, normally associated with some type of sensor device.





    consumer
  • A person who purchases goods and services for personal use

  • Consumer is a broad label for any individuals or households that use goods and services generated within the economy. The concept of a consumer occurs in different contexts, so that the usage and significance of the term may vary.

  • A heterotroph (Greek ?????? heteros = "another", "different" and ????? trophe = "nutrition", "growth") is an organism that uses organic carbon for growth by consuming other organisms.

  • a person who uses goods or services

  • A person or thing that eats or uses something











consumer 3d camera - Samsung SSG-3100GB




Samsung SSG-3100GB 3D Active Glasses - Black (Only Compatible with 2011 3D TVs)


Samsung SSG-3100GB 3D Active Glasses - Black (Only Compatible with 2011 3D TVs)



When combined with Samsung 3D TVs, 3D Active Glasses bring viewing to vivid life. Samsung's newest 3D Active Glasses offer even greater comfort over hours of viewing. Bluetooth technology improves battery life up to 70 hours of viewing time.

Samsung’s new 3D Active Glasses are the gateway to Samsung 3D entertainment. Impressive both in how they function and in what they allow you to experience, the technology works as follows: When you put them on and look at the screen, the technology first blocks the left and then the right lens. It happens faster than the blink of an eye – so your eye won’t notice it. But when images are shown to each eye separately this “staggered” effect achieves far more lifelike 3D images.










Compatible Models

2011 LED: D6400, D6500, D7000, D7900, and D8000 series
2011 Plasma: D490, D550, D6500, D7000 and D8000 series










82% (12)





Italian Duplex Super 120 3D camera




Italian Duplex Super 120 3D camera





3D camera works with 120 film. Synchronized focus, shutters, aperture.
Possibility to use flash.
Made in Italy, '50s -early '60s.
Picture size : 23 x 25mm
24 exposures on 120 film.
Lens : 35mm f/3.5
Aperture : 3.5, 4, 5.6, 8, 11, 16, 22
Shutter speeds : P (B), 1/10, 1/25, 1/50, 1/100, 1/200 sec











3D Camera Studio Photo-iPad App-anaglyph-Akashi city ???? 2010 /06/13 twin RICOH GX100




3D Camera Studio Photo-iPad App-anaglyph-Akashi city ???? 2010 /06/13  twin RICOH GX100





Check out the anaglyph I made with 3D Camera Studio for iPad. To get free 3D red/cyan glasses, see the Juicy Bits FAQ.

Sent from my iPad









consumer 3d camera








consumer 3d camera




Sony 3D Bundle/Narnia Glasses






Not only do these glasses work with your 2011 Sony HDTV with 3D but they also work with Sony's 2010 3D models and the new line-up of VAIO 3D capable computers

Escape from reality to a fantasy-world of vibrant, high-quality 3D imagery with your compatible BRAVIA 3D HDTV and this starter pack from Sony. Included are the 3D Blu-ray Disc of The Chronicles of Narnia: The Voyage of the Dawn Treader, as well as two pairs of Sony 3D active glasses.
Sony Narnia Starter Pack
Escape from reality to a fantasy-world of vibrant, high-quality 3D imagery.
Visit Narnia a Third Time
Return to the magic and wonder of C. S. Lewis' epic world in this third installment of the beloved Chronicles of Narnia fantasy-adventure series. When Lucy and Edmund Pensive, along with their cousin Eustace, are swallowed into a painting and transported back to Narnia, they join King Caspian and a noble mouse named Reepicheep aboard the magnificent ship The Dawn Treader. The courageous voyagers travel to mysterious islands, confront mystical creatures, and reunite with the Great Lion Aslan and a mission that will determine the fate of Narnia itself!
alt
Starter pack bundles two pairs of Active 3D glasses with The Chronicles of Narnia: The Voyage of the Dawn Treader on 3D Blu-ray Disc. alt
Sony's adjustable glasses offer a wide viewing angle and a lightweight, comfortable fit. Click here for a larger image
Sony 3D Active Glasses
Enjoy a state-of-the-art 3D viewing experience while watching movies, sports, games, and even personal 3D content with these 3D active glasses and your compatible BRAVIA 3D HDTV. The glasses automatically synchronize with Sony 3D TVs.
Excellent Color Accuracy
Enjoy 3D content without compromising your picture quality, with brilliant colors and high contrast. The side panels also do their part by blocking out excess light.
Wide Viewing Angle
Experience 3D from a wide viewing angle--one of the advantages of the active shutter variety of 3D glasses is they aren't limited to a smaller "sweet spot."
USB Rechargeable Battery
These glasses are powered by a built-in, USB-chargeable battery. It offers a whopping 30 hours of use on a single charge (30 minutes), or you can do a quick charge of just three minutes for 3 hours--enough to get you through a movie on short notice.
Stylish, Ergonomic Design
Built for comfort, these glasses are lighter than previous models, and feature adjustable frames to fit just about everyone in your family. They're also designed to fit over prescription eyewear.
What's in the Box
Two Pairs of Sony Active 3D Glasses (TDG-BR250/B), USB Charging AC Power Adapter (AC-U501AD), The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Blu-ray Disc










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DIGITAL VIDEO CAMERA DV. DIGITAL VIDEO


Digital Video Camera Dv. Hidden Camera In Karachi. Rssez Limit 2 Keyword Nikon Digital Camera.



Digital Video Camera Dv





digital video camera dv






    digital video
  • Digital video is a type of video recording system that works by using a digital rather than an analog video signal. The terms camera, video camera, and camcorder are used interchangeably in this article.

  • DV is a format for recording and playing back digital video. It was launched in 1995 with joint efforts of leading producers of video camera recorders.

  • a video that has been digitized so that it can be controlled from a PC and displayed directly on a computer monitor.





    camera
  • A chamber or round building

  • equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

  • A camera is a device that records/stores images. These images may be still photographs or moving images such as videos or movies. The term camera comes from the camera obscura (Latin for "dark chamber"), an early mechanism for projecting images. The modern camera evolved from the camera obscura.

  • television camera: television equipment consisting of a lens system that focuses an image on a photosensitive mosaic that is scanned by an electron beam





    dv
  • DV (Dagbla?i? Visir) is an Icelandic newspaper published by DV ehf. It came into existence in 1981 when two formerly independent newspapers, "Visir" and "Dagbla?i?", merged. It is published four times a week from Monday to Friday. DV also has an online publication at DV.is.

  • DV is a format for recording and playing back digital video. It was launched in 1995 with joint efforts of leading producers of video camera recorders.

  • Deo volente

  • Douay Version

  • (DVS) Dynamic Vapour Sorption (a technique used to determine amorphous content of a material)











digital video camera dv - Mini Dv




Mini Dv Camcorder DVR Video Digital Camera 30 Fps Dc


Mini Dv Camcorder DVR Video Digital Camera 30 Fps Dc



# The Smallest Digital Video Camera in the World With High Resolution Image # UV spray finishing for the whole body. # It is very fashionable and wearable and matches with all kinds of portable tools. # Support PC camera and chatting function. # Support AVI video format. # It can carry out high definition image recording under low illumination. # Support 30 fps for 720*480 and 320*240 video shoot and output. # Support USB1.1/2.0. # Support 8GB T-flash card.(maximum) (the TF card is not included) # Build-in Rechargeable lithium battery which can make a video 1~2 hours, the standby time is up to 250 hours. # Flexible installation with clip or bracket.










87% (6)





Camera Mount Modified for DV




Camera Mount Modified for DV





I've used aluminium alloy strip to fashion springs that hold the tripod head rigid in the horizontal plane, but floating in the vertical plane. The block of conforming foam provides damping to prevent bouncing like a car without shock absorbers.











My DV Camcorder, from the front




My DV Camcorder, from the front





Looking at my Canon ZR500 digital video camera from the front. This is what I use to shoot my videos with.









digital video camera dv







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DOME CAMERA PARTS : CAMERA PARTS


DOME CAMERA PARTS : HIDDEN CAMERA WITH AUDIO.



Dome Camera Parts





dome camera parts






    dome camera
  • A type of camera with dome cover. They may have fixed or vari-focal lenses. Some come with infrared lighting and some are designed to be tamper-proof (also referred to as vandal-resistant). Armor dome cameras are designed to resist vandalism by using a hi-impact reinforced polycarbonate dome casing.





    parts
  • (of two things) Move away from each other

  • Cause to divide or move apart, leaving a central space

  • the local environment; "he hasn't been seen around these parts in years"

  • (part) separate: go one's own way; move apart; "The friends separated after the party"

  • Divide to leave a central space

  • (part) something determined in relation to something that includes it; "he wanted to feel a part of something bigger than himself"; "I read a portion of the manuscript"; "the smaller component is hard to reach"; "the animal constituent of plankton"











Upheaval dome




Upheaval dome





0 PHOTOGRAPH PARTICULARS 0

Geologists still debate what "caused" upheaval dome. It looks like an impact crater with a sharp light colored dome, growing in the center of it. Whatever the cause, it is quite a sight to view and well worth the short hike to the crater rim.

Salt formation; impact crater; whatever caused this land form, matters not. It is a big impressive land form.

0 ACTIVITIES DAY THREE OF TWELVE 0

We had rooms reserved at the Moab, Utah Motel 6 for Tuesday and Wednesday night. This would serve as our “base camp” for visits to the Island in the Sky district of Canyonlands and to Arches National Park.

Taking only camera gear and day hiking packs, we left Moab just before dawn on Wednesday morning for our visit to the Island in the Sky area. We stopped on the way into Canyonlands to photograph the sunrise and to look over and photograph the Shafer trail from the rim.

In the 1980s, I had ridden a dual sport motorcycle (Honda XL500) along the White Rim road and up the Shafer trail. I was hoping that the road might be in good enough shape to travel it on this trip with Ed’s Jeep.

After stopping at the Shafer trail overlook we made our way to the Mesa Arch TH parking. We were pleased to find nobody else there. We would not see one other person on the hike in or out nor doing our stay photographing Mesa Arch. A pleasant surprise.

After Mesa Arch we drove to Grandview Point and took a few photos there. Then backtracking we took the side road to the Upheaval Dome trail. It was the first of several geological formations that geologists have yet to agree on as to what formed it. It appears as a giant crater with a light colored “sharp” dome, rising out of its center. I tried some side by side shots there so I could stitch a panoramic photo together later.

We stopped at the Canyonlands visitor’s center on the way back and found that a free “permit” was required these days to drive the Shafer Trail and the White Rim road, so we obtained our pass and headed down the fun, interesting, and exciting route off the Island in the Sky plateau, down the old Shafer cattle trail to the White Rim road, which then runs along an esplanade above the Colorado and Green Rivers.

Traveling down the Shafer and along the White Rim roads in the Jeep, with windows rolled down, was a real treat. There are some rough spots on the White Rim road so it took us awhile to work our way back to Moab (for a mid-day meal).

That afternoon, we drove into Arches National Park headed for the trail to Delicate Arch. The weather came apart on us by this time and the gusting winds were absolutely fierce. Ignoring the blasting winds as best we could we made our way to Delicate Arch. The bad weather kept the number of people down, but the lighting wasn’t the best - - and staying upright in the high gusts of wind took some work in places. Still, we had come to see Delicate Arch, up close, and the hike there was well worth the time.

Leaving the Delicate Arch trail, the wind dropped down a little as light faded over Arches NP. We drove to the Windows Section of Arches and then out of the park as the sun began to set. Somewhere near the Petrified Dunes viewpoint area of the park, Ed sensed excellent sunset light in the offing, and we parked the Jeep off the side of the road, and climbed a small ridge for some photographs.

Ed’s intuition was perfect. Though the winds got cold, we got some of the best light of the entire day for photography, with warm red sandstones in dusk light and the snow covered La Sal Mountains in the distance (Mt. Peale at 12,720’ is the highest peak in these high desert mountains).

A bright moon peeked through the cobalt blue evening skies and storm clouds traveled quickly across the sky. So that is how the third full day of our Four Corners road trip ended; photographing the golden sunset light inside Arches National Park. Fun.

0 3,875 MILE/12 DAY ~ 4 CORNERS ROAD TRIP OVERVIEW 0

At the start of year 2011, I made tentative plans to take a two week solo “road trip” through the Four Corners area (The Colorado Plateau), during the last half of March. Then, if my wife could get the time needed off from her part time job, I also planned a “road trip” vacation to the Southwest, in April with her.

When I put the plan together for the March trip, I decided to see if an old friend of mine, Ed (Flickr’s: OldWrangler), might be interested in joining me. I volunteered to take my old four wheel drive pickup truck and split the gasoline expense with him. We would each get an inexpensive motel room on the road to serve as “base camps” to hike, photograph, and explore back roads in the Four Corners area.

Not only did Ed accept but he also proposed that we take his brand new 4-door Jeep Wrangler instead of my old pickup truck. That didn’t take any thinking on my part. I LOVE Jeeps and Ed and I have always got along well (decades ago, I worked for him and we had taken a fun road trip together back in 2008, along w











Pano Upheaval Dome




Pano Upheaval Dome





0 PHOTOGRAPH PARTICULARS 0

Geologists still debate what "caused" upheaval dome. It looks like an impact crater with a sharp light colored dome, growing in the center of it. Whatever the cause, it is quite a sight to view and well worth the short hike to the crater rim.

I stitched five photos together to get this pano view of Upheaval Dome.

0 ACTIVITIES DAY THREE OF TWELVE 0

We had rooms reserved at the Moab, Utah Motel 6 for Tuesday and Wednesday night. This would serve as our “base camp” for visits to the Island in the Sky district of Canyonlands and to Arches National Park.

Taking only camera gear and day hiking packs, we left Moab just before dawn on Wednesday morning for our visit to the Island in the Sky area. We stopped on the way into Canyonlands to photograph the sunrise and to look over and photograph the Shafer trail from the rim.

In the 1980s, I had ridden a dual sport motorcycle (Honda XL500) along the White Rim road and up the Shafer trail. I was hoping that the road might be in good enough shape to travel it on this trip with Ed’s Jeep.

After stopping at the Shafer trail overlook we made our way to the Mesa Arch TH parking. We were pleased to find nobody else there. We would not see one other person on the hike in or out nor doing our stay photographing Mesa Arch. A pleasant surprise.

After Mesa Arch we drove to Grandview Point and took a few photos there. Then backtracking we took the side road to the Upheaval Dome trail. It was the first of several geological formations that geologists have yet to agree on as to what formed it. It appears as a giant crater with a light colored “sharp” dome, rising out of its center. I tried some side by side shots there so I could stitch a panoramic photo together later.

We stopped at the Canyonlands visitor’s center on the way back and found that a free “permit” was required these days to drive the Shafer Trail and the White Rim road, so we obtained our pass and headed down the fun, interesting, and exciting route off the Island in the Sky plateau, down the old Shafer cattle trail to the White Rim road, which then runs along an esplanade above the Colorado and Green Rivers.

Traveling down the Shafer and along the White Rim roads in the Jeep, with windows rolled down, was a real treat. There are some rough spots on the White Rim road so it took us awhile to work our way back to Moab (for a mid-day meal).

That afternoon, we drove into Arches National Park headed for the trail to Delicate Arch. The weather came apart on us by this time and the gusting winds were absolutely fierce. Ignoring the blasting winds as best we could we made our way to Delicate Arch. The bad weather kept the number of people down, but the lighting wasn’t the best - - and staying upright in the high gusts of wind took some work in places. Still, we had come to see Delicate Arch, up close, and the hike there was well worth the time.

Leaving the Delicate Arch trail, the wind dropped down a little as light faded over Arches NP. We drove to the Windows Section of Arches and then out of the park as the sun began to set. Somewhere near the Petrified Dunes viewpoint area of the park, Ed sensed excellent sunset light in the offing, and we parked the Jeep off the side of the road, and climbed a small ridge for some photographs.

Ed’s intuition was perfect. Though the winds got cold, we got some of the best light of the entire day for photography, with warm red sandstones in dusk light and the snow covered La Sal Mountains in the distance (Mt. Peale at 12,720’ is the highest peak in these high desert mountains).

A bright moon peeked through the cobalt blue evening skies and storm clouds traveled quickly across the sky. So that is how the third full day of our Four Corners road trip ended; photographing the golden sunset light inside Arches National Park. Fun.

0 3,875 MILE/12 DAY ~ 4 CORNERS ROAD TRIP OVERVIEW 0

At the start of year 2011, I made tentative plans to take a two week solo “road trip” through the Four Corners area (The Colorado Plateau), during the last half of March. Then, if my wife could get the time needed off from her part time job, I also planned a “road trip” vacation to the Southwest, in April with her.

When I put the plan together for the March trip, I decided to see if an old friend of mine, Ed (Flickr’s: OldWrangler), might be interested in joining me. I volunteered to take my old four wheel drive pickup truck and split the gasoline expense with him. We would each get an inexpensive motel room on the road to serve as “base camps” to hike, photograph, and explore back roads in the Four Corners area.

Not only did Ed accept but he also proposed that we take his brand new 4-door Jeep Wrangler instead of my old pickup truck. That didn’t take any thinking on my part. I LOVE Jeeps and Ed and I have always got along well (decades ago, I worked for him and we had taken a fun road trip together back in 2008, along with my friend John and my youngest son









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